Construction Series
Artist Statement
Assemblage as an art form is the the art of metaphor, of juxtaposition, of setting one thing beside another without obvious connection, and I enjoy exploring this lyrical and poetic visual world. My Construction series is a synthesis of color, texture, and materials combined in an imaginative manner that reflects my interest in primitive forms, and my attraction to rich and sensual surfaces. These works are not based on intellectual concepts, but rather flow from a desire to create an art form with spirit. Some works are quiet and reflective, others more whimsical, but all are expressions of transformation. My environment and activities in my life show up as part of my assemblages, and the finished artworks reflect a time and place for me. Studio work involves shifting and editing of materials , and manipulation of painted surfaces until the formal concerns of balance and unity are addressed. The completed work invites the viewer to make connections between the seemingly unrelated materials and objects to arrive at their own understanding of the piece. A life long interest and appreciation of indigenous textiles and decorative art has also informed this series, as well as past travel experiences.
Artist Statement
Assemblage as an art form is the the art of metaphor, of juxtaposition, of setting one thing beside another without obvious connection, and I enjoy exploring this lyrical and poetic visual world. My Construction series is a synthesis of color, texture, and materials combined in an imaginative manner that reflects my interest in primitive forms, and my attraction to rich and sensual surfaces. These works are not based on intellectual concepts, but rather flow from a desire to create an art form with spirit. Some works are quiet and reflective, others more whimsical, but all are expressions of transformation. My environment and activities in my life show up as part of my assemblages, and the finished artworks reflect a time and place for me. Studio work involves shifting and editing of materials , and manipulation of painted surfaces until the formal concerns of balance and unity are addressed. The completed work invites the viewer to make connections between the seemingly unrelated materials and objects to arrive at their own understanding of the piece. A life long interest and appreciation of indigenous textiles and decorative art has also informed this series, as well as past travel experiences.